Posts

The face of new age Assamese music | Eclectic Northeast

Image
(An article by Jadeed Hussain published on Eclectic Northeast magazine on June 1, 2015) Musician Jim Ankan Deka's love for the music of his native land has prompted him to take Assamese music to the global stage Jim had moved to Bangalore from Guwahati to do his Masters in Psychology. After completing his studies, made his foray into the corporate world, but after a series of job changes, he realized that music was his only true calling. He joined a music school and slowly offers started to trickle from the film and television industry of Karnataka. He started off with a Kannada TV series in 2007 where he arranged the music for four songs. He admits that the language barrier was very much there but working with a director who was free to take inputs from him helped him deliver his best. He also teamed up with Carnatic classical musician and playback singer Suchethan Rangaswamy to form a band called 'Veenar'; they released their first song in Kannada called Eesha Ni...

Aakaxok Subo Khojo - an Assamese music video by Jim Ankan Deka and Antara Nandy

Image
Aakaxok Subo Khojo - Jim Ankan Deka feat. Antara Nandy ChaiTunes , the music series powered by Music Malt, released the second Assamese music video ' Aakaxok Subo Khojo ' (আকাশক চুব খোজো) featuring Jim Ankan Deka and 'Sa Re Ga Ma Pa 2009' finalist 16 yr old Antara Nandy. The song was recorded in Eastern Fare Studio and Madcat Studios in Bangalore under the guidance of Kannada music producer Anil CJ. The video is directed by Parmita Borah and was shot at Innerspace Studios, Bangalore. The lyrics of the song is penned by Assamese journalist Raj Dweep. Produced by Eastern Fare Music Foundation, the video was released on June 5, 2015. Antara Nandy and Jim Ankan Deka (a shot from Aakaxok Subo Khojo) | photo: Nishal Lama

Chador-mekhela, drums, keyboard, guitar, cultural activists, bihu and Being Assamese

Image
Courtesy: Raul de la Nuez Recently, in one of the Bihu functions (April, 2015), one of the leading female singers of Assam was not allowed to sing for not wearing Chador Mekhela by the committee members. (Chador-mekhela is the traditional Assamese dress worn by women.) What I feel personally in that case, even the male singers, including Papon, Zubben, should be asked to wear Dhoti-Kurta or ban them too. Why this unfairly prejudiced view? And all the committee members also should be wearing Dhoti-Kurta or Chador-Mekhela all the time. Do they? Embarrassing moment for Assam and Assamese culture. This is not culture, This is not Bihu. I understand that cloths are integral part of any culture; but cloths alone can't defy culture. If one has to follow one of the cultural aspects with full devotion, he has to follow everything with complete honesty and sincerity. That means, if one has to wear mekhela-chador to defy bihu, she can't actually use keyboard, guitar or drums in bih...

News on Assamese music video 'Xaare Aasu'

Image
Xaare Aasu is An Assamese music video featuring singer Queen Hazarika and composer Jim Ankan Deka. It is the first of ChaiTunes series of music videos. Powered by Music Malt, a Bangalore based music house, the song is based on poems by Assamese writer duo Prof. Bhabananda Deka and Nalini Prava Deka. The video is directed by Parmita Borah and produced by Eastern Fare Foundation, Bangalore. Read more at ReviewNE and Merinews . | Watch the video Here . | Download Xaare Aasu Here News Clippings Eastern Chronicle, May 12, 2015 .

Bharti Airtel CEO's e-mail on Net Neutrality and response from the people

Image
Few days back I posted Mahesh Murthy's take on anti #net neutrality and Airtel's 'Airtel Zero' plan . After a huge outcry (over 800,000 emails to the Government) and Flipkart's final decision of backing out of Airtel Zero, Bharti Airtel's CEO Gopal Vittal wrote to customers on April 19, 2015, explaining why they love net neutrality and why Airtel Zero is benign and just some "technology platform". Below is the email. Dear Customer Over the last few days you may have seen a lot of conversation on our toll free platform Airtel Zero. It has been painted as a move that violates net neutrality and we have been very concerned at the incorrect information that has been carried by some quarters in the media as well as in social media. I wanted to take this opportunity to clear the air and reiterate that we are completely committed to net neutrality. Let me clarify. Our vision is to have every Indian on the internet. There are millions of Indians wh...

Niyoror Xur - an Assamese song by Jim Ankan Deka and Mayukh Hazarika

Image
Niyoror Xur (নিয়ৰৰ সুৰ) - is Jim Ankan Deka's fourth Assamese music video. Sung by Mayukh Hazarika, the song is based on poems by Assamese writer duo Late Bhabananda Deka and Late Nalini Prava Deka and edited by Ankur Deka. The video is directed by Parmita Borah. The song will be released online in June, 2015. Presented by ChaiTunes, the song is produced by Eastern Fare Music Foundation, Bangalore and powered by Music Malt, a music house based in Bangalore.

Indian telcos killed VAS business. Now they're out to kill your business. - Mahesh Murthy

Image
Some of you may remember the huge hype around VAS (Value Added Services) startups in India less than a decade years ago - remember SMSing to get your horoscope for the day, or a cricket score update? The story was all about how they'd create great content for distribution on the telcos' networks and how we'd see new giant companies being formed. Fast forward to today - the telcos' user base is ten times larger - but do you see any of those VAS companiess around? They're all virtually dead - and the telcos killed them. And they did so with a simple weapon - they charged a toll tax of 80% or more on all revenues generated by the VAS startups on their networks. VAS companies are long gone - the telcos killed and ate the golden geese, and golden eggs are now hard to come by. But rather than learn from this debacle - they're out there to find and kill the next golden egg. And that's you, dear Indian internet entrepreneur. You're going to be the next ...